Music
Vanessa Da Mata – Sim – 2007

Sim is Vanessa da Mata’s third album and the first after the huge commercial success of Essa Boneca Tem Manual, from 2004. If Essa Boneca Tem Manual was a blatant, although undeniably very successful, appeal to pure commercialism and the radio hit lists, Sim is a firm step back towards a more intellectual approach to Brazilian pop music. Liminha, who produced the last album, has been substituted by the hip and hyped production duo Kassin and Mario Caldato. As usual when Kassin is involved, the result is an excellent and very fresh sounding production which manages to give a very modern impression without appearing fake or overproduced. Sim was partly recorded in Jamaica, and reggae is indeed one of the primary themes of the album. “Vermelho,” “Ilegais,” and “Absurdo” are all pure reggae songs. And as a bonus, Sly & Robbie, one of Jamaica’s most acclaimed and prolific producer teams, contribute on five tracks. A less welcome guest appearance is that of Ben Harper, who lends his voice and English lyrics to “Boa Sorte/Good Luck.” The purpose of Harper’s presence is undoubtedly to keep the attention of the mainstream teenage crowd, who first discovered da Mata through the success of Essa Boneca Tem Manual. It has to be said, though, that in spite of Harper, “Boa Sorte/Good Luck” is actually a quite nice song. “Baú” with its imposing and danceable Afro-beat is one of the real highlights of the album. As is the opening reggae “Vermelho” and the romantic dance track “Você Vai Me Destruir,” written together with guitarist Fernando Cacatau and flirting enthusiastically with ’70s style disco. Apart from the three reggae tracks, the music on Sim (for all its obvious pop mannerisms) stands firmly rooted in the rich Brazilian music tradition, drawing from samba, baiao, coco and even brega. The album conclusion is a simple and sweet little song, where da Mata is backed only by her own acoustic guitar. ~ Philip Jandovsky
Lyricists: Samantha Caldato; Vanessa da Mata.
Personnel: Vanessa da Mata (vocals, guitar); Ricardo Prado (guitar, electric piano); Fernando Catatau, Davi Moraes, Pedro Sá (guitar); Harold Emert (oboe, horns); Andre Rafael (trumpet); Nambo Robinson (trombone); Joao Donato (piano); Jota Moraes (vibraphone, marimba); Alberto Continentino (acoustic bass); Stephane San Juan (drums, agogo, claves, shaker, percussion); Sly Dunbar (drums); Don Chacal (cuica, percussion); Armando Marçal (percussion); Berna Ceppas (background vocals).
- Vermelho
- Fugiu Com A Novela
- Bau
- Boa Sorte / Good Luck
- Amado
- Pirraca
- Voce Vai Me Destruir
- Absurdo
- Quem Ira Nos Proteger
- Ilegais
- Quando Um Homem Tem Uma Mangueira No Quintal
- Meu Deus
- Minha Heranca: Uma Flor
Link: Uploading.com – Crocko
Gonzaguinha – Perfil – 2004
Gonzaguinha deixou uma obra memorável, composições gravadas e regravadas por grandes nomes da MPB. Nesta coletâne, estão reunidos clássicos como “Grito de Alerta”, “O que é, o que é?” e “Lindo lago do amor”, nas versões do próprio autor. Confira!
- O Que É O Que É?
- Guerreiro Menino (Um Homem Também Chora)
- Sangrando
- Começaria Tudo Outra Vez
- É
- Feliz
- E Vamos A Luta
- Lindo Lago Do Amor
- Grito De Alerta
- Espere Por Mim, Morena
- Explode Coração (Não Dá Mais Pra Segurar)
- Comportamento Geral
- Ponto De Interrogação
- Eu Apenas Queria Que Você Soubesse
- Gentileza
Link: Hotfile
Novela Fina Estampa – 2011
Trilha sonora nacional da nova novela das 9 da Rede Globo.
A Novela registrou recorde de audiência no horário nobre. Entre os dias 31 de outubro de 5 de novembro, a trama de Aguinaldo Silva registrou média de 40 pontos na audiência. As novelas anteriores, Insensato Coração e Passione, só alcançaram a marca na sua 24ª semana, enquanto Fina está há 11 semanas no ar, então vai rolar muito sucesso Trilha Sonora – Novela Fina Estampa
O grande destaque da semana foi a briga entre Griselda (Lilia Cabral) e Tereza Cristina (Christiane Torloni), que atingiu pico de 49 pontos.
Você concorda que a trama de Fina Estampa é mais interessante do que das novelas anteriores?
- Recado – Gonzaguinha
- Griselda – Zeca Pagodinho Part. Esp.: Arlindo Cruz E Sombrinha
- Flor Morena – Aline Calixto
- Eu Nunca Amei Alguém Como Eu Te Amei – Ivete Sangalo
- Amor Covarde – Jorge & Mateus
- Colorir Papel – Jammil & Uma Noites
- Problemas – Ana Carolina
- Sem Limite – Danni Carlos
- Memória Do Prazer – Jorge Vercillo
- Nada Por Mim – Ney Matogrosso
- Quem Não Quer Sou Eu – Seu Jorge
- Menina Chapa Quente – Perlla
- Hoje Ainda É Dia De Rock – Marya Bravo
- Vamos Dançar – Ed Motta
- Segura – Eduardo Dussek
- Fina Estampa (Instrumental) – Victor Pozas, Roberto Pollo E Alexandre Castilho
Link: Uploaded.to
Luiz Melodia – 14 Quilates (1997)
Luiz Melodia has firmly established his place in MPB for some decades. On this 1997 release, he visits some of the styles that have been composing his broad palette: bolero, funk, ballad, rock, reggae, four-to-the-bar songs, choro, and samba. With catchy melodies (almost all compositions were written by him with or without partners) and expressive lyrics, the author of “Estácio, Holy Estácio” continues to be a strong presence in Brazilian music tradition. His competent vocal interpretations, backed by an extremely capable band with several different formations (with especial mention to the brass work), can convincingly deliver heavy rocks and delicate, subtle choros with equal consistency. The album has not the weight of his classic works though.
- Ébano (Luiz Melodia)
- Sem Trapaça (L. Melodia/R. Augusto)
- Começar Pelo Recomeço (L.Melodia/Torquato Neto)
- Sub-Anormal (L. Melodia/R. Augusto)
- Morena Brasileira (L.Melodia/R. Augusto)
- Morena da Novela (L.Melodia/R.Piau)
- Quase Fui lhe Procurar (Getúlio Cortes)
- Pra Que (L. Melodia/R. Augusto)
- Cruel (Sergio Sampaio)
- Dançou, Dancei (L. Melodia/Papa Kid)
- Frágil Força (L. Melodia/R. Augusto)
- Ser Boêmio (Oswaldo Melodia)
- Bate Verão(L. Melodia/R. Augusto)
- Morar no Rio (Beto Marques)
Boxee PC and Mac apps are officially unsupported
The folks at Boxee release version 1.5 for the Mac, PC and Linux back towards the end of December and at that time — they let everyone know that the support (and availability) of those apps would come to an end fairly soon. In fact, the message was simple;
“This 1.5 release will be the last version of Boxee for PC/Mac/Ubuntu. It will be available on Boxee.tv through the end of January.”
That being said, today is February 1st which means January has come to an end and with it — so has the life of Boxee for PC/Mac/Linux. With that, a quick check of the Boxee.tv website shows a new look — one that is promoting the Boxee Box as well as the Boxee Live TV dongle and the Boxee for iPad app.
Source: Technologytell.com
Boxee 0.9.23.15885 (Windows) - torrent
Boxee 0.9.23.15885 (Mac OS X) - torrent
Jack Jones – 5 albums
Jack Jones (born January 14, 1938) is an American jazz and pop singer. He was one of the most popular vocalists of the 1960s.
He was rated highly by Frank Sinatra and Tony Bennett and a major influence on Scott Walker. Judy Garland called him the best jazz singer in the world, although Jones was always a straight pop singer (even when he recorded contemporary material) and rarely ventured in the direction of jazz. Jones won two Grammy Awards. He performs concerts around the world and remains popular in Las Vegas. Some of his best-known songs are “I Can’t Believe I’m Losing You”, “L.A. Break Down”, “The Way That I Live”, “Wives and Lovers” (1964 Grammy Award, Best Pop Male Performance)”, “The Race Is On”, “Lollipops and Roses” (1962, Grammy Award, Best Pop Male Performance), “The Impossible Dream”, “Lady”, “What I Did for Love”, and “The Love Boat Theme”. He recorded “Strangers in the Night” before Sinatra did.
His birth name is John Allan Jones and he was the only son of actors Allan Jones and Irene Hervey. Jack Jones was born in Los Angeles in the very night that his father, singer and movie star Allan Jones, recorded his signature song “Donkey Serenade”. The young Jones attended University High School in West Los Angeles and studied drama and singing. His first professional break was with his father, when Allan Jones was performing at the Thunderbird Hotel and Casino in Las Vegas. He recorded a couple of demos for songwriter Don Raye and started to being noticed by the music industry. In 1959, Jones was signed to Capitol Records and released an album (This Love of Mine) and a few singles. None of these records sold well and his contract was cut short. These early singles were compiled in the budget album The Romantic Voice of Jack Jones, released in the early seventies in the UK by the label Music For Pleasure.
After he was dropped by Capitol, Jones was drafted and spent some time in the US Air Force. Back to civilian life, he had more luck with his next company, Kapp Records. In August, 1961 he recorded the ballad “Lollipops and Roses” (a song by Tony Velona) and it was a hit in the following year. In the Kapp years, Jones recorded almost twenty albums, including Shall We Dance, This Was My Love, She Loves Me, Call Me Irresponsible, I┤ve Got a Lot of Living To Do!, Bewitched, Wives and Lovers, Dear Heart, Where Love Has Gone, My Kind of Town, The Impossible Dream, The In Crowd, Jack Jones Sings, Lady, Our Song, etc… Young, handsome and well groomed, Jack Jones was an anomaly in the sixties, eschewing rock and roll trends and opting for the big band sound, lush romantic ballads and the Great American Songbook, although sometimes he recorded something more pop, country or bossa nova oriented. Besides the good choice of material, Jones worked with top arrangers like Billy May, Marty Paich, Shorty Rogers, Jack Elliott, Ralph Carmichael, Bob Florence, Don Costa and Pete King.
Jones moved from Kapp (in the UK, London Records), to RCA Records in 1967. His first album in the new company was called Without Her. The following releases, If You Ever Leave Me, L.A. Break Down, and Where is Love were in the same style of the classic Kapp records. After A Jack Jones Christmas, he decided to renew his musical direction and image. At the time, he had changed his appearance from the smooth club entertainer of the 1960s’ Las Vegas scene to the longhaired singer of the early seventies. A Time For Us (1970) marks the transition towards a middle of the road sound in the Jack Jones career. He started to record more contemporary material, including covers of people like Randy Newman, Harry Nilsson, Carole King, Paul Williams, Richard Carpenter, Gordon Lightfoot, Gilbert O?Sullivan, etc… The album Bread Winners (1972) was a tribute to the band Bread, with eight songs written by David Gates and two by Jimmy Griffin and Robb Royer. Two of his more acclaimed albums of that period were dedicated to two French songwriters: Jack Jones Sings Michel Legrand (1971), and Write Me a Love Song, Charlie (1974), with songs by Charles Aznavour. The Full Life (1977) was produced by Jones and Bruce Johnston of the Beach Boys. In this album, Jones recorded “Disney Girls (1957)” (Johnston’s most well known song) and “God Only Knows”, a Beach Boys classic. His last LP for RCA was With One More Look At You (1977) – the title song is a Paul Williams composition from the picture A Star Is Born. In 1979, he moved to MGM Records, recording the album Nobody Does it Better, which featured disco tracks of The Love Boat theme and his Grammy winner, “Wives and Lovers”. His second (and last) MGM album, Don’t Stop Now, featured duets with Maureen McGovern.
Since 1980, he has recorded only a handful of albums, and now performs in various concert arenas and occasionally appears on the supper-club circuit. He has performed all over the world and has a large following in England, a place he visits almost every year. He is also well regarded in Japan, where a lot of his old records were released on CD. Although Jones records only sporadically, his new work is always well received. I Am a Singer (1987, USA Records) is considered by Jack Jones enthusiasts a minor classic. In 1992 he recorded for Sony Music The Gershwin Album, with songs written by George Gershwin and Ira Gershwin. In 1997 came NEW Jack Swing (Honest Entertainment), with Jones giving a big band treatment to old standards and assorted pop/rock songs. His most recent album is Jack Jones Paints a Tribute to Tony Bennett (Honest Entertainment, released in 1999), that was nominated for Best Traditional Pop Vocal Performance and Record of the Year. In March 2008, Jack Jones celebrated his 70 years of age and 50 years in show business with a concert at the McCallum Theatre (Palm Springs). The guests were jazz singer Patti Austin, songwriters Alan Bergman and Marilyn Bergman and singing impressionist Bob Anderson.
Jack Jones made his movie debut in Juke Box Rhythm (1959), a rock and roll exploitation production. He is Riff Manton, a young singer who is involved romantically with a princess (Jo Morrow). Jack sings three songs. Others performers featured were The Earl Grant Trio, Johnny Otis & His Band and The Treniers. Jones has acted in such minor films as cult horror The Comeback and feature length British TV comedy, Cruise of the Gods. In the latter, he starred alongside comedy writers/actors Steve Coogan, David Walliams and Rob Brydon. He can be seen (very briefly) in Airplane II: The Sequel (1982), performing The Love Boat Theme
The singer was a staple in the sixties and seventies TV variety shows, performing on The Ed Sullivan Show, The Andy Williams Show, The Dick Cavett Show, The Hollywood Palace, The Smothers Brothers Comedy Hour, The Jerry Lewis Show, American Bandstand, This is Tom Jones, The Dean Martin Show, The Judy Garland Show, Playboy After Dark, The Jack Benny Program, The Steve Allen Show , etc… He twice hosted NBC┤s top rated rock and roll series Hullabaloo. Jones provided the famous opening theme for the television series The Love Boat from 1977 through 1985, and also made several guest appearances on the show. He also guested in the series The Rat Patrol, Police Woman, McMillan and Wife and The Hardy Boys/Nancy Drew Mysteries. The singer promoted the Chrysler New Yorker in the mid-70′s with the “Its the talk of the town” ad campaign. Previous to that, he sang the theme song of the series Funny Face. In 1990, Jones recorded Three Coins in the Fountain, which was used in the film Coins in the Fountain that same year. In these last two decades, Jones has been active in the musical theater, acting in Guys and Dolls, South Pacific and others. He went to national tour performing Don Quixote in Man Of La Mancha and was acclaimed by the critics.
In the second half of the sixties, Jones had a well-publicized relationship with actress Jill St. John and the two were briefly married. In the seventies, Jones was linked romantically to British actress Susan George. After that, he was involved with Kathy Simmons. From 1982 to 2005 he was married to British-born Kim Ely and they had a daughter, Nicole (born in 1991). Jones now lives in Palm Springs.
Download torrent here.
Jack Jones – She Loves Me 1963
- She Loves Me
- Real Live Girl
- Our Language Of Love
- Close Your Eyes
- When I’m Not Near The Girl I Love
- I Believe In You
- The Lamp Is Low
- On The Other Side Of The Tracks
- Wouldn’t It Be Loverly?
- My Mood Is You
- Hit The Road To Dreamland
- I Get Along Without You Very Well
With Jack Elliott And His Orchestra
Jack Jones – Wives And Lovers 1964
- Wives And Lovers
- Toys In The Attic
- Song About Love
- I’m Moody
- Angel Eyes
- Fly Me To The Moon (In Other Words)
- Charade
- I Wish You Love
- Nina Never Knew
- Summertime Promises
- I See Your Face Before Me
- Come Rain Or Come Shine
- Dear Heart
- You’re Sensational
- Love Is Here To Stay
- I’ll Get By
- You’d Better Love Me
- All The Things You Are
- Emily
- Thank Heaven For Little Girls
- I’m Glad There Is You
- When She Makes Music
- Something’s Gotta Give
- You’re My Girl
Jack Jones – The Impossible Dream 1966
- The Impossible Dream (The Quest)
- The Shadow Of Your Smile
- I Will Wait For You
- Then Was Then And Now Is Now
- All Or Nothing At All
- Feeling Good
- Alfie
- Strangers In The Night
- What Now My Love
- This Is All I Ask
- My Best Girl
- You Better Go Now
Jack Jones – Lady 1967
- Lady (Kusik / Singleton / Kaempfert)
- A Beautiful Friendship (Cahn / Styne)
- Free Again (Colby / Canfora / Baselli)
- If You Never Come To Me (Jobim / Oliveira / Gilbert)
- Nice ‘N’ Easy (Bergman / Bergman / Spence)
- Brother, Where Are You? (Brown)
- Once Upon A Time (Adams / Strouse)
- If You Go Away (McKuen / Brel)
- And We Were Lovers (Bricusse / Goldsmith)
- Girl Talk (Troup / Hefti)
- Afraid To Love (Jones / Florence)
- It’s Easy To Remember (Rodgers / Hart)
Arranged And Conducted By Marty Paich & Ralph Carmichael
Download torrent here.
Helen Merrill – Parola e musica – 1960

Helen Merrill will be turn eighty this year while this album – her masterpiece – is now fifty years old.
It was recorded in Italy, after she relocated there in early 1960. An unusual feature of the LP is the addition of spoken word lyrics which precede each song. Fernando Caiati does the honours with some rudimentary instrumentation in the background. This gives the album an atmospheric edge, the torch songs and ballads perfectly complimented by the eloquent Italian language lyrics.
The songs, many of them standards, are elevated to classic status by Merrill’s flawless and emotional renditions. Autumn In New York is sublime, melancholy yet hopeful. Everything Happens To Me, a humourous homage to Sod’s Law is almost devasting in its delivery. You Don’t What Love Is, Solitude and Weep Willow For Me are brooding, smoky epics with perfect phrasing and sublime high notes.
After the faux-upbeat desperation of I’ve Got Under My Skin and These Foolish Things, the LP twists and turns into the final act with Caiati’s words increasinly reeking of foreboding and regret (despite me not understanding a word of Italian). We finally slip into the mournful and desolate When Your Lover Has Gone.
What lonely hours, the evening shadows bring
What lonely hours, with memories lingering
Like faded flowers, life can’t mean anything
When your lover has gone
What a way to finish a most memorable album.
Nothing can beat the romance of this album! ‘Parole e Musica’: ‘Words and Music’ was recorded while Merril was living in Italy. Each performance is preceded by a spoken translation of the lyrics in Italien, backed by a solo musician in the style af a street busker. If it sounds cheesy, then don’t expect me to defend it: it is! But I have never heard Merril sound so good. Her voice has a fragile strength which renders ballads heart-stopping, and tickles the humour out of the more optimistic numbers.
- Night and Day
- Everything happens to me
- Autmn in New York
- Why don’t you do it right
- You don’t know what love is
- These foolish things
- April in Paris
- I’ve got you under my skin
- Solitude
- Willow weep for me
- When your lover had gone
On Tracks 1, 2, 3, 6, 8
- Gino Marinacci – Flute
- Nini Rosso – Trumpet
- Enzo Grillini – Guitar
- Berto Pisano – Bass
- Sergio Conti – Drums
- Piero Umiliani – Piano, Celesta
On Tracks 4, 5, 7, 9, 10, 11
- Nino Culasso – Trumpet
- Tonino Ferrelli – Bass
- Ralph Ferraro – Drums
- Piero Umiliani – Piano, Celesta
Yusef Lateef – Yusef Lateef’s Detroit – 1969
After issuing the spiritually compelling and contemplatively swinging Complete Yusef Lateef in 1967, Dr. Yusef Lateef’s sophomore effort for Atlantic shifted gears entirely. Lateef chose his old stomping grounds of Detroit for an evocative musical study of the landscape, people, and spirit and terrain. Lateef spent the late-’50s in the city recording for Savoy, and this recording captures the memory of a great city before it was torn apart by racial strife and economic inequality in 1967. There is no way to make a record that suggests Detroit without rhythm, and Lateef employs plenty of it here in his choice of musicians: conga players Ray Barretto and Norman Pride; Tootie Heath on percussion; Cecil McBee, Roy Brooks, and Bernard Purdie; electric bassist Chuck Rainey; electric guitarist Eric Gale; pianist Hugh Lawson; and a string quartet that included Kermit Moore. In other words, the same band from the Complete Yusef Lateef with some funky additions. The string section, as heard on the opener “Bishop School,” “Belle Isle,” “Eastern Market,” and “Raymond Winchester” is far from the pastoral or classically seeking group of recordings past, but another rhythmic and melodic construct that delves deep into the beat and the almighty riff that this recording is so full of. For all of the soul-jazz pouring forth from the Blue Note and Prestige labels at the time, this album stood apart for its Eastern-tinged melodies on “Eastern Market”; the “Black Bottom,” gutbucket, moaning bluesiness on “Russell and Elliot,” with Gale and Lateef on tenor trading fours in a slowhanded, low-end groove; and the solid, Motown-glazed, rocking Latin soul of “Belle Isle.” The album ends curiously with the nugget “That Lucky Old Sun,” played with a back porch feeling, as if the urban-ness of the set, with all of its polyrhytmic intensity and raw soul, had to be tempered at the end of the day with a good-old fashioned sit in the yard as the city’s energy swirled around beyond the borders of the fenced lot. Lateef blows a beautiful tenor here, uing a motif from Sonny Rollins’ version of the tune and slides it all the way over to Benny Carter in its sheer lyricism. It’s the perfect way to close one of Lateef’s most misunderstood recordings.
http://www.filesend.net/download.php?f=df310cf2dfae25ad86c87e9685770a72
Brian Bromberg – It’s About Time – The Acoustic Project
Nacido el 5 de diciembre de 1960, en Tucson, Arizona, Brian Bromberg creció en una familia de artistas. Como su padre y su hermano, Brian comenzó a tocar la batería, y a los 13 años inició su carrera profesional como baterista. En la escuela elemental, Bromberg se inició en el cello, con el que no se sentía del todo confortable. Cuando el director de la orquesta de la escuela le ofreció el puesto de contrabajista, Bromberg, aún adolescente no lo dudó. Desde los 14 a los 18 años el joven Brian se aplicó al estudio intensivo de su nuevo instrumento, además de tocar en infinidad de bandas de todo tipo. En 1979, el contrabajista Marc Johnson (bajista de Bill Evans), tras haber oído a Bromberg, lo recomendó al saxofonista Stan Getz. Bromberg tenía 19 años, y desde entonces, en su carrera profesional ha trabajado ininterrumpidamente con algunos de los nombres más importantes de la escena del jazz norteamericano, además de desarrollar una importante carrera en solitario. (De Wikipedia).
After a few electric projects, bassist Brian Bromberg decided to record a purely acoustic project. With such sidemen as pianists Mike Garson and Mitch Forman, brother Dave Bromberg on drums, trumpeter Freddie Hubbard (on three songs), and tenors Ernie Watts (on five) and Doug Webb (on two), Bromberg holds his own with the fast company. Some of the selections on this CD are quite memorable, particularly Hubbard’s “Dear John,” Watts’ interpretation of Wayne Shorter’s “Yes or No,” and the trumpeter’s feature on “If I Should Lose You.” Although the Nova label has since gone belly-up, this excellent CD might still be found and is certainly worth a search. – Scott Yanow, All Music
- Dear John (Hubbard) 5:01
- Echoes (Coil, Watts) 6:10
- One for the Woofer (Taylor) 5:00
- Waltz for Daphne (Bromberg) 5:49
- Yes or No (Shorter) 7:11
- If I Should Lose You (Rainger, Robin) 5:57
- From Dust to Dessert (Bromberg) 7:46
- The Gnocchi [Ne.O-Ki] Man (Coil) 5:39
- Buddha Belly (Bromberg) 9:16
Total Time: 57:19
Sys Bjerre – All In

Af Amalie Kønigsfeldt fra soundvenue.com
Sys Bjerre abdiceret popstjerne
Kunstner: Sys Bjerre
Titel: All in
Selskab: Universal
»Jeg maver mig frem ad på min lånte tid / For om lidt vil de opdage, at jeg ikke kan en skid«, synger Sys Bjerre på ‘En dans på neuroser’. Ja, så er det sagt, og endda af hende selv. Hun er ikke musiker. Hun er snarere hverdagspoet, der fortæller historier, som mange kan nikke genkendende til. Det virker bare kun glimtvis, når hun ikke forfalder til grumme klicheer, som hun gør det meste af tiden. Eller synger om ingenting som på hundesangen ‘Bow Wow’ om en eller andens hund, der ikke er farlig, »når man blot er varlig«. Ligesom ‘Bjørnen sover’ som ikke er den eneste, Sys Bjerre har lånt fra.
På sommerhittet ‘Alle mine veninder’ har hun som bekendt ladet sig inspirere lige lovlig meget af ‘Slumdog Millionaire’. Omkvædet i ‘Fuld af…’ kan synges over ‘Hvem vil ikke gerne være kat’ fra Aristocats, og det elektroniske loop på ‘Ensomnia’ lyder umiskendeligt af The Knife.
Som ‘inspirationskilderne’ røber, går Sys Bjerre musikalsk i alle retninger på albummet, men på grund af den glatte produktion kommer numrene til at lyde ens. Den gode popmelodi bliver aldrig udfoldet og drukner i det tykke lag af storladne strygere, der modarbejder det dagbogslignende virvar af hverdagslige tanker, der udgør Sys Bjerres univers. Måske Sys skulle overveje at udfolde sine til tider finurlige ord-fiflerier på skrift? For mon ikke hun har ret i, at hun lever på lånt tid i musikbranchen?
Fileserve:
http://www.fileserve.com/file/brcg65h/iFA-2010-DK-In-All-Bjerre-Sys_Sparhawk.rar
Hotfile:
http://hotfile.com/dl/70070951/3191d4b/iFA-2010-DK-In-All-Bjerre-Sys_Sparhawk.rar.html
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Recent Posts
- Vanessa Da Mata – Sim – 2007
- Gonzaguinha – Perfil – 2004
- Novela Fina Estampa – 2011
- Luiz Melodia – 14 Quilates (1997)
- Boxee PC and Mac apps are officially unsupported
- Jack Jones – 5 albums
- Helen Merrill – Parola e musica – 1960
- Yusef Lateef – Yusef Lateef’s Detroit – 1969
- Brian Bromberg – It’s About Time – The Acoustic Project
- Sys Bjerre – All In
- Martinho da Vila – Novelas – 2006
- Extrawelt – Schöne Neue Extrawelt
- Tim Maia – Minha Historia
- Eric Serra – Subway OST
- Azymuth – Brazilian Soul – 2004
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